I take my usual steps. Up to the railing, to the look out - to look out. But instead, today, I look down. Today, I am tired of my place. Tired of the view of a big city, of buildings and riverboats and barges. I wish, for a moment, that I had chosen a place somewhere else. Somewhere covered and covered and covered in trees.
Below is this hillside. The snow is all gone and the ground is something other than clean and white. Below the railing is compressed grass, like sun-faded, yellowed old newspaper. The trees have all been cut to the quick (probably to give way to the view). And the rest of the color that litters the ground is what remains of plastic and can.
Here's what I see:
Three blue plastic bags, one crumpled, one folded and wrapped around the ground, one flapping in the wind, held pressed against itself and the long stalks of laid-down grass by one Monster can, one sock, one red Solo cup; two more red Solo cups are around, as if someone modern thought one red blink on this litter-spread hill was not enough; one Gatorade bottle, clear and empty; one yellow shiny wrapper the size to wrap a candy but the wrapper is flat, so the candy is gone, eaten or dissolved or washed away by the rain or the snowmelt; and… one Fiji bottle, one Arizona can; one IC Lite, one Natty Ice; a Cheetos bag, a plastic cup and its lid, a cigarette butt, a Mambo wrapper, a brown bean pod. A brown bean bod? A seed pod. Yes. Tossed by the trees. Not some kid or some Man - made of trees - not of plastic. (and I:) tried to look it up. Name it. Find its copyright, its company name. But it's nowhere in the ethernet. Nowhere I can find. I'll have to pick one up and take it home. Take it somewhere, somewhere that it's known.
On the wooden bench behind me:
To love and be loved, JB luvs BM, ROG + Em, B+N, JOL and a misshaped, half-carved swastika sign.
On the buildings:
Highmark, K & L Gates, Reed Smith, First Niagra, the sun slashing blinding white lines across glass
There is grass stubble around parking meters that still take quarters. A swivel-view-finder. Takes quarters. A fire hydrant. Yellow. Peeling. Takes many men to take water. Squelch a fire. Sidewalks. Wooden benches. Guardrails that guard us from falling over the mountain. Doesn't guard the mountain. Not from what we can throw.
I steep in the warmth of my car, my hands thawing slightly as I document my man-made thoughts of all of this evidence of our presence around here. So much Man around here. It makes me wonder why I chose this place as my nature spot, when what I think of nature is: Forests and trees. Greens. Valleys, grasses and bees. Mountains and hillsides. Blue skies, open fields. The bellies of birds as they soar.
But my qualifications? They are here. This mountainside covered with trees, their dead limbs, their cut stumps. With grasses and seeds. The rivers down below. A valley of water and land. Birds that dance in the updrafts. Phantom shadows on the hillsides. More sky than blue can be.
But still: This is a cityscape landscape. A nature of man. A man-made nature.
The City as a Mirror
Today I want to escape myself. I am over-
saturated. With: words, ideas, worries, memories, philosophies, futures, ideals.
With: thinking and dreaming and talking and listening.
With: Man and his words. But: I am Man and these words.
And: I am in love with Man and his words. I need them like
clean air, and water, and land.
But: Man, sometimes I need space. A space
away from myself.
There are always lovely things to talk about when it comes to your writing. You've got the most amazing grasp of lyrical writing: "more sky than blue can be," "river mud and coffee with too much cream," etc. I enjoyed the detail lists, JB loves BM, First Niagra, and my gosh, the colors glittering along the hillside! You think with such consideration for the world, Laura.
ReplyDeleteThe different lists were effective and interesting. The one about what was on the ground beneath your perch was very detailed which made the seed pod really stand out.
ReplyDeleteOne really cool and subtle thing you did was to us the singular with can in the line, "And the rest of the color that litters the ground is what remains of plastic and can." It is more powerful than if they were just cans.
Laura, I love how you question your idea of your place and what you think of as nature. What I have loved reading about your place is that it isn't just the middle of "pure nature." We always get the buildings and the multicolored lights but it's all seen from this spot of beauty, of nature. I love how I get a better sense through your writing of how they intertwine. :)
ReplyDeleteDeep seeing of the best sort, even when it doesn't bring joy. It's amazing how much of the world reveals itself when the snow disappears. I enjoyed the mix of detail and emotion; I appreciate and understand the regret with respect to your place. I'm sure you will find other ways to celebrate your place in weeks to come. Think of it as a marriage that has its ups and downs.
ReplyDeleteI really like that comment Sheryl: "Think of it as a marriage that has its ups and downs." It seems to really bring me back to my original post in which I noted my own fear of commitment - the decision to stick with something through both the good and the bad. Thanks for the reminder!
DeleteOOO, love and hate all in one visual, nice!:
ReplyDelete"To love and be loved, JB luvs BM, ROG + Em, B+N, JOL and a misshaped, half-carved swastika sign."
Bomb/loved:
"Guardrails that guard us from falling over the mountain. Doesn't guard the mountain. Not from what we can throw."
Plus the whole ending and that poem girl. Nice. Thank you.
I love the way your mind speaks. I love your observations and descriptions of the place you picked, how it disappoints you. Your writing is like a breeze- quick and sharp and beautiful.
ReplyDeleteLovely poem at the end. Recognizing that you are part of the things you don't like and need, at times to be apart from the self.
What you see and what you think are two different things. But you are grounded to this spot and appreciation comes and goes. I think this is true for any place, its beauty varies on the day to day, so we keep stepping and moving for something unknown.